Vessel in the Form of a Seated Ruler with a Pampas Cat, ceramic and pigment, 250/550 CE, Moche; North coast, PeruBowl Depicting a Mask (Possibly a Katchina), above an Abstract Bighorn-Sheep Head, ceramic and pigment, 1300/1400 CE, Four Mile Polychrome, White Mountain Redware; Cibola region, east-central Arizona, United StatesFigure of a Woman in Ceremonial Dress, ceramic, 700/900 CE, possibly Totonac, Nopiloa; Veracruz, south-central Gulf Coast, MexicoSeated Joined Couple, ceramic and pigment, 200 BCE/300 CE, Nayarit; Nayarit, MexicoMiniature Mask, wood, gold foil, shell, pigment, and resin, 1300/1400 CE, possibly Mixtec; possibly northern Oaxaca, MexicoStanding Figurine with Missing Leg, jade, 800/400 BCE, Olmec; Guerrero, MexicoVessel Depicting a Mythological Scene, ceramic and pigment, 600/800 CE, Late Classic Maya; Petén region, GuatemalaPortrait Vessel of a Ruler, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruHead Fragments from Large Ceremonial Jars, ceramic and pigment, 700/800 CE, Tiwanaku-Wari; Pacheco, south coast, PeruHieroglyphic Panel, limestone, 650/800 CE, Late Classic Maya; Usumacinta River area, Mexico or GuatemalaStoryteller Figure, ceramic and pigment, 100/800 CE, Jalisco; Ameca Valley, Jalisco, MexicoVase of Seven Gods, Ah Maxam (active mid-late 8th century), ceramic and pigment, 750/800 CE, Late Classic Maya; vicinity of Naranjo, Petén region, GuatemalaBowl Depicting a Hero-Hunter with a Heron Headdress, Bow, and Arrows, along with a Rabbit Hunter; ceramic and pigment (Classic Mimbres Black-on-white); Mimbres branch of the Mogollon; New Mexico, United StatesMosaic Disk with a Mythological and Historical Scene, turquoise, shell, and sandstone, 1400/1500 CE, Mixtec; Northern Oaxaca, MexicoMask from an Incense Burner Portraying the Old Deity of Fire, ceramic and pigment, 450/750 CE, Teotihuacan; Teotihuacan, MexicoBallcourt Panel, limestone, 700/800 CE, Late Classic Maya; possibly La Corona, Usumacinta River area, GuatemalaFigurine of an Aristocratic Lady, ceramic and pigment, 650/800 CE, Late Classic Maya, Jaina; Campeche or Yucatán, MexicoVessel of the Dancing Lords, Ah Maxam (active mid-late 8th century), ceramic and pigment, 750/800 CE, Late Classic Maya; vicinity of Naranjo, Petén region, GuatemalaRitual Impersonator of the Deity Xipe Totec, ceramic and pigment, 1450/1500 CE, Aztec; possibly central Veracruz, MexicoFemale Figurine, ceramic and pigment, 500/400 BCE, Tlatilco; Tlatilco, Valley of Mexico, MexicoVessels, ceramic and pigment, Late Classic Maya, Mexico or GuatemalaStela, limestone, 702 CE, Late Classic Maya; vicinity of Calakmul, Campeche or Quintana Roo, MexicoJar in the Form of a Standing Figure, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruFemale Effigy, terracotta and pigmented slip, 200/100 BCE, Chupícuaro; Guanajuato or Michoacán, MexicoStanding Male Figure, ceramic and pigment, 650/800 CE, Late Classic Maya, Jaina; Campeche or Yucatán, MexicoPendant in the Form of a Figure, shell stone, silver, copper, and cotton, 400/800 CE, Tiwanaku-Wari; coastal Peru or highland BoliviaCarved Vessel Depicting a Lord Wearing a Water-Lily Headdress, ceramic and pigment, 600/800 CE, Late Classic Maya, Chocholá; Yucatán or Campeche, MexicoPortrait Vessel of a Young Man with a Scarred Lip, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruBowl Depicting a Harvest Dance, ceramic and pigment, 180 BCE/500 CE, Nazca; South coast, PeruPortrait Vessel of a Man with a Cleft Lip and Tattoos, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruPedestal Bowl, ceramic and pigment, 1100/1300 CE, Coclé; possibly La Peña, Veraguas province, PanamaVessel Depicting a Prisoner with Avian Captors, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruVessel in the Form of a Llama, ceramic and pigment, 100 BCE/500 CE, Moche; Chimbote, Santa Valley, PeruPortrait Vessel of a Ruler, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruRattle in the Form of a Mythological Figure, ceramic and pigment, 650/800 CE, Late Classic Maya, Jaina; Campeche or Yucatán, MexicoVessel in the Form of a Royal Messenger, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruFigure of a Standing Warrior, ceramic with pigment, 650/800 CE, Late Classic Maya, Jaina; Campeche or Yucatán, MexicoVessel in the Form of a Courtly Musician, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, PeruVessel in the Form of a Warrior, ceramic and pigment, 100 BCE/500 CE, Moche; Chimbote, Santa Valley, north coast, PeruDrinking Cup (Kero) with an Abstracted Masked Figure, ceramic and pigment, 600/1000 CE, Tiwanaku-Wari, Bolivia or PeruBowl Depicting a Swarm of Mice, ceramic and pigment, 180 BCE/500 CE, Nazca; South coast, PeruDouble Pendant in the Form of a Mythical Caiman, gold with plaster restoration of boar tusks, 800/1200 CE, Coclé; Coclé province, PanamaVase of Seven Gods, Ah Maxam (active mid-late 8th century), ceramic and pigment, 750/800 CE, Late Classic Maya; vicinity of Naranjo, Petén region, GuatemalaMantle (detail), camelid wool, 100 BCE/200 CE, Paracas Necropolis; Paracas peninsula, south coast, PeruDouble-Spouted Vessel Depicting Ritual Masks, ceramic and pigment, 180 BCE/500 CE, Nazca; South coast, PeruPedestal Bowl, ceramic and pigment, 700/1100 CE, Coclé; possibly Los Santos province, PanamaJar in the Form of a Seated Figure, ceramic and pigment, 100 BCE/500 CE, Moche; North coast, Peru
Guanyin (Avalokiteshvara), gilt copper alloy, late 14th century, Yuan/early Ming dynasty, ChinaGonzaze Myō-ō, Nakabayashi Gennai, wood with polychromy, 1680 [Edo period], JapanStanding Attendant (Tomb Figurine), wood with traces of polychrome pigments, Eastern Zhou dynasty, Warring States period, 4th/3rd century BCE, ChinaArmored Guardian King (Tianwang), earthenware with three-color (sancai) lead glazes and traces of pigments, Tang dynasty, first half of the 8th century, ChinaHead of a Bodhisattva, stucco with traces of pigment, 4th/6th century, Pakistan or Afghanistan, Gandharan regionVajrasattva Seated on Lotus Flower with Hands Grasping a Thunderbolt (Vajra) and Bell (Ghanta) with Thunderbolt Handle, gilt copper alloy, Tang dynasty, late 8th/early 9th century, ChinaDetail of saddle on “Camel with Rider,” earthenware with three-color (sancai) lead glazes and traces of pigments, Tang dynasty, first half of the 8th century, ChinaPlaque with Demonic Mask, Late Neolithic period, Longshan culture or Shang dynasty, 2nd millenium BCEPensive Bodhisattva, gray schist, 2nd/3rd century, Pakistan, Gandharan regionHead of a Buddhist Deity, Possibly Prajnaparamita, sandstone, Angkor period, 13th century, CambodiaShūkongōjin, wood with traces of polychromy, 12th/14th century [probably Kamakura period], JapanFemale Musician, earthenware with polychrome pigments, Tang dynasty, first half of the 8th century, ChinaArmored Guardian (Wushiyong), earthenware with polychrome pigments and gilding, Tang dynasty, late 7th/early 8th century, ChinaDing (tripod food caldron) with tao-tie design, bronze, Shang dynasty, 11th century BCE, China“Running in Advance” Mask (Shinshōtoku), wood with traces of color, 15th/16th century [probably Muromachi period], JapanEquestrienne, earthenware with traces of polychrome pigments, Tang dynasty, 2nd quarter of 8th century, ChinaFour-Armed Sarasvati, Goddess of Learning, Seated in Lotus Position (Padmasana), chloritic schist, Hoyasala period, 13th century; India, Karnataka, Mysore regionVotive Plaque with God Vishnu; gilt bronze with ivory, semiprecious stones, crystal, and glass; c. 19th century; Nepal, Kathmandu ValleyBodhisattva Avalokiteshvara, sandstone, Angkor period, 12th/13th century, CambodiaFudō Myō-ō, wood with polychromy and gilt-bronze accessories, 12th/14th century [probably Kamakura period], JapanGroom, earthenware with three-color (sancai) lead glazes and traces of pigments, Tang dynasty, first half of the 8th century, ChinaDemon Mask (Tsuina-men), wood with traces of color, 15th/16th century [probably Muromachi period], JapanEntertainer (Tomb Figure), buff earthenware with pigment, Northern Dynasties, 6th century, ChinaLakshmana, from Panel with Lakshmana and Hanuman, the Monkey God, terracotta, Gupta period, 4th/5th century; India, Uttar PradeshStanding Attendant (Tomb Figurine), wood with traces of polychrome pigments, Eastern Zhou dynasty, Warring States period, 4th/3rd century BCE, ChinaSōgyō Hachiman, wood with traces of white pigment, Heian period, 10th century, JapanSeitaka Dōji, wood with traces of polychromy, 15th century [Muromachi period], JapanSnake Goddess Manasa, basalt, 11th century, Bangladesh or Eastern IndiaZenzai Dōji, wood with glass and polychromy and metal accessories, 12th/14th century [probably Kamakura period], JapanTwenty-Armed Dancing God Ganesha, Remover of Obstacles, buff sandstone, 11th century, India (Madhya Pradesh)Standing Attendant (Tomb Figurine), wood with traces of polychrome pigments, Eastern Zhou dynasty, Warring States period, 4th/3rd century BCE, ChinaBodhisattva, limestone with traces of polychromy, Tang dynasty, 8th century, ChinaArmored Guardian King (Tianwang), earthenware with three-color (sancai) lead glazes and traces of pigments, Tang dynasty, first half of the 8th century, ChinaWeight in the form of nested birds, gilt bronze, Tang dynasty (618-907), China
